Every diagram on this site is original, hand-coded SVG — drawn by me from mechanism descriptions,
never copied, traced, or generated. Fifteen plates, each embedded in its article and collected here
for study. Start with the articles they belong to: the
beginner's guide and
harmonic analysis explainer.
Fig. 1 — My sketch of harmonic superposition: the lunar (M2) and solar (S2) waves add. When they align we get spring tides; when they oppose, neaps. Drawn by Daniel.Fig. 2 — A 100-tooth wheel driving a 10-tooth pinion multiplies speed tenfold. Tide machines chained dozens of such pairs to turn one crank into lunar-speed shafts. Drawn by Daniel.Fig. 3 — My reconstruction of the 1872 principle: one crank drives many shafts, each pulley contributes one constituent, the wire sum moves the pen. Drawn by Daniel.Fig. 5 — Each crank moves its pulley up and down; the single wire collects every motion. The free end is the predicted height. Drawn by Daniel.Fig. 6 — Typical open-ocean proportions: M2 dominates, S2 modulates, K1 and O1 shape the daily inequality. Values vary by port. Drawn by Daniel.Fig. 4 — A typical machine output, traced by hand from my own harmonic sketch: two unequal high waters in 24 hours. Drawn by Daniel.Fig. 7 — Springs at new/full moon (bodies aligned), neaps at the quarters (at right angles). Drawn by Daniel.Fig. 8 — A prediction roll: time runs along the paper, height across it, hour ticks keep the scale honest. Drawn by Daniel.Fig. 9 — The setup ritual: zero, amplitudes, phases, ink, run. Full reconstruction in my setup-day article. Drawn by Daniel.Fig. 10 — Ninety years on one line, from Kelvin's ten cranks to the digital handover. Full story in the history pillar. Drawn by Daniel.Fig. 11 — Shallow water distorts the astronomical tide into overtides like M4 — the extra cranks on harbour machines. Drawn by Daniel.Fig. 12 — Doodson numbers: six digits pin each wave to its exact celestial cause. Key in the glossary. Drawn by Daniel.Fig. 13 — Hamburg's reform: shorten every run, balance every cascade. Less stretch, happier small constituents. Drawn by Daniel.Fig. 14 — Backlash: the hair of play between teeth, felt as hesitation at every turning point. Drawn by Daniel.Fig. 15 — The rare reverse machine: a follower traces the recorded tide while integrators weigh each constituent. Drawn by Daniel.
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